SHOOTING DUCKS IN A BUCKET: THE WALTERS PRIZE AGAIN
July 27, 2010 – 8:38 pm by Andrew Paul WoodThumbing through the pages of Metro (July-August 2010), I was distraught that after only a few brief months of deliciously entertaining bitchiness, the mouthpiece of Auckland’s chattering classes was terminating (with extreme prejudice) the only recently revived Felicity Ferrit. ‘Twas with tears welling in my eyes that I turned to Frances Morton’s (delightful gel, adorable freckles on her hard boiled news-sniffing-out pixie-like nose) report on the Walters Prize (“Eyes on the Prize”, pp322-3). Rightfully she notes that the intent to “make contemporary art a more widely recognised, debated and prominent feature of New Zealand cultural life,” has little relationship to the short bout of Auckland Art Gallery’s own press releases being “regurgitated” by the MEDIA. While it is shameful that Auckland Art Gallery that was too cheap to ship over and rent space for Michael Stevenson’s Persepolis 2530, (thus rendering it ineligible for the $50, 000 jackpot) one does ...
